So that’s what she really looks like?

My vision of main character Teddie was always ethereal, much like the triplicate vision of her on the first cover. She was 17 and attractive, with curly black hair and dark eyes, but that was about all I knew.

When I decided to rename my books, I needed new covers. Current fashion is to show the main character, so it looked like I had to find someone who could show the world what Teddie really looked like. I found a group called Deranged Doctor Design.

When we started the cover for Layers of Light, we’d just finished the long and sort of painful process of doing many iterations of the cover (and main character Alex) for the previous book, Twists of Time. Lucky for all, the fine folks at DDD had a way to deal with people like me, who didn’t know what they wanted till they saw it. They sent me six potential Teddie’s to choose from.

I ruled out the three on the right without hesitation. These young ladies weren’t Teddie, and in general they had a little more angst than I wanted. Model #2 was a little too glamorous, so I went back and forth between the sweet innocence of model #3 and the slightly more worldly model #1. In the end, worldly won out.

The brown haired, blue eyed model needed some changes in coloring. They turned out to be trivial for my book cover designers.

Teddie got high praise from my own personal focus group, though one critic pointed out she had a bit of a “Tomb Raider vibe” to her, but that wasn’t necessarily a bad thing.

When it came time to create the last cover, we needed Teddie to make a second appearance, but not with an identical face. This particular model had dozens of photos to choose from, but unfortunately many of them had to do with selling beauty products.

I needed the new tough Teddie, fully aware of her superpowers and ready to kick butt. The selection wasn’t promising. We ended up with a pose that wasn’t all that different from the one used on Layers of Light, but it was different enough and it worked.

When I saw Teddie standing there with the rest of her family, I knew I’d gotten it right. This was what Teddie really looked like.

 

A New Look

I’m so excited about this new cover. The original one was probably my favorite of the six, perhaps because I love the color green. And moonlight.

This one has taken it to a whole new level, with a beautiful new Teddie, an appropriately intimidating-looking Lhatu, and a Buddhist convent tucked into a cliff in the Himalayas. Just like in the book!

I’m also particularly pleased with the title of this one, and the way the fine people at Deranged Doctor Design added light to represent what Teddie insists on calling the world of mist.

Now, my job is to make sure the story itself is worthy of all this.

The first round of editing is complete and I’m pleased so far. It’s almost 15,000 words lighter and, more importantly, 15% better. (I’m joking. Obviously I have no way of knowing how many % better it is, but the point is I can see the improvement.)

It will get one more edit in March, followed by two passes at proofreading by two different people, then hopefully be released for sale around the middle of April. Wahoo.

But first I have to get Shape of Secrets out there this weekend, and Twists of Time next month. It’s going to be a busy spring.

Designing your own book cover, part 4

My easiest cover by far came with c3. It was the most difficult of my books to write, so maybe some sort of universal balance was at work. I’d barely begun skimming through the Shutterstock collection when I found not one but two backgrounds I loved. Which to use? I decided I’d send them both on to Jen at Mother Spider and let her decide.

I knew I didn’t want the image of Teddie, my hero, to be a photo. This was a book about out of body experiences, and a clear likeness seemed too stark. I wanted something vague, more like a sketch. She had to be young, dark-haired, and there had to be green involved.  I didn’t expect a lot of results when I combined all these search parameters, and I didn’t get them. However, the one image I got had potential.

This drawing of a young woman possessed the ethereal quality I wanted, but didn’t fit the cuddly softness I felt was part of Teddie’s personality. I played with it a little, and was happier once she had a rounder face and the soft brown eyes I envisioned.

The next challenge was to find a way to show an out of body experience in a single image on a book cover. I thought of showing her face three times, each one more transparent than the last. Also, I wanted a white bird because, well, it was symbolism I liked. I took all that and came up with the two straw man versions below and sent them off to Jen.

Jen did three brilliant things. First, she layered one of my backgrounds over the other to create an orignal and beautiful backdrop. Second, she got rid of the bird. Third, she rearranged Teddie to look back upon herself, conveying the idea of out of body in a way my linear images never could.

When this cover came back, I loved it instantly. She humored me by adding in the crescent moon instead of the dove, and we dinked around trying to match the font of my two-character title to the previous three books, but otherwise not a single revision was made. There was no doubt in my mind this was the cover c3 was meant to have.

Recently, I did some light editing and clean-up on all of my books, mostly to remove the links from all versions as they have become impossible to maintain. I decided if I ever wanted to make a tiny modification to the cover, now was the time.

Was there anything I wanted to change? Anything at all?

Well, I’d never been entirely happy with Teddie’s porcelain doll white skin or her sensuous lips. I thought a faint pink blush would make her look more human, and thinner lips more age-appropriate. I tried a make-over and was pleased with the results.

The new Teddie, and her beautiful cover, are shown to the left. It’s a joy when something comes so easily and works out so well.

(For more on this topic see Designing your own book cover, part 1, part 2 and part 3.)