Review: Off Season

This is a blog devoted to women’s issues, and I don’t usually review books here. However, I’m making an exception for Off Season, and will do so again for books related specifically to the challenges women face.  See the end of this post for details about reviews on this blog.

Review Summary: E.S. Ruete tells a difficult story with compassion and bursts of eloquence. I rate it 3.8/5.0. My full review is below.

About this book: Dottie woke up wondering where she was and why she was so cold. The first thing she noticed was that she must be outside – she was lying on cold ground and snow was hitting her in unusual places. That’s when she noticed the second thing. Her skirt was pulled up past her waist and her panties were gone. Damn those bastards. It started to come back to her. Dottie is now on an odyssey; a journey not of her choosing; a journey of healing, integration, and reconciliation that will involve her partner, her friends, her enemies, her church, her whole community. And her rapists. As she fights her way through social stereotypes about rape and rape victims, she also finds the strength to overcome society’s messages of who she should be and lays claim her true self. But the memories, the loss, the anger – and the fears – never go away. No woman chooses to be raped. I asked Dottie why she chose to tell me a story of rape. She said that millions of women, hundreds every day, have stories of rape that never get told. She told her story because she could. Because she had to. Because maybe people would hear in a work of fiction a Truth that they could not hear in any other way.

About the author: E.S “Ned” Ruete is an author, speaker, group facilitator, women’s rights activist, LGBTQIPA+ ally, lay preacher, guitar picker, and business analyst. He is the author of Seeking God: Finding God’s both/and in an either/or world and Lead Your Group to Success: A Meeting Leader’s Primer.

Now retired, Ned lives in Niantic, Connecticut with his second wife. He continues to offer pro bono group facilitation and facilitation training to schools, churches, community groups and not-for-profit organizations. He has led strategic planning retreats for United Action Connecticut (UACT), Fiddleheads Food Co-op, and ReNew London. He is actively involved in LGBTQIPA+ advocacy and annually attends and presents sessions at the True Colors Conference. He is a member of the International Association of Facilitators (IAF) formerly served on the Association Coordinating Team (ACT, the IAF Board of Directors). He was associate editor of Group Facilitation: A Research and Applications Journal and has contributed articles to Group Facilitation, The Facilitator, and other publications on group facilitation and management consulting.

Off Season is Mr. Ruete’s first fiction work. See his consulting products at MakingSpaceConsulting.com and his books at MakingSpaceConsulting.com/Publish.

Individual Author Links for Ned Ruete:
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Giveaway: The author will be awarding a $50 Amazon/BN gift card at the end of the tour. Learn more and register to win.

My full review: This is only partly a heartfelt tale about the effects of rape. It is just as much the story of an older lesbian woman seeking acceptance from her church after having spent years living with her partner but hiding the true nature of their relationship.

What I liked best.

  1. At first, it is hard to fathom why a man would write such a book. Many women would be inclined to think this story should be told by those who can tell it authentically. Yet, when the author explains that Dottie appeared in his head to demand he tell her story, I understood. (I’ve had characters do that, too.) Indeed, he channels her emotions with all the understanding one could ask for. My favorite quote from the book:

We don’t have a word for what is taken from us in rape, but the only thing more intimate, more personal, more important, more irreplaceable is a life. We need a name for this thing, so we can talk about it, understand it, learn about the pain that comes when it is lost.

  1. The author picks an unlikely rape victim, I think at least partly to make the point that sexual attraction and interaction are not at the root of sexual assault. Dottie doesn’t fit society’s stereotype of beauty, she is older and a little overweight. Her complete lack of sexual interest in men makes it clear no misunderstood flirtation is involved, in spite of accusations to the contrary. Dottie’s assault is conveyed without an ounce of eroticism. In fact, the author has one of the perpetrators consider after-the-fact how different real sexual assault is from the fantasies he has had.
  2. This is not a story of despair, it is a story of courage. There is no sugar coating of the trauma or the recovery, yet there is recovery, not only by Dottie but by others as well. Assault survivor Alice, who is also the mother of a transgender child, was an excellent complex character. I loved her approach of “I’m still listening.”

What I liked least.

  1. This is as much about LGBTQ+ acceptance by fundamentalist Christians as it is about sexual assault. I wholeheartedly support this acceptance, but, like many readers, I am not part of this sort of Christian community. I had a great deal of trouble understanding why Dottie stayed with this church, or cared what its members thought of her. The author spends a lot of time presenting his arguments for this acceptance, including descriptions of biblical characters and actual quotes from the bible. If that is ones moral yardstick, I suppose these arguments are needed, but I thought they belonged in a different book, one written specifically for a Christian audience struggling with this issue. I found myself skipping over the lengthy sermons and religious debates, anxious to get on with Dottie’s story of recovery.
  2. On the other hand, the book is short; in my opinion shorter than it should be. I felt several secondary characters warranted having more of their stories told, and resolution reached. Many threads are dropped concerning Dottie’s struggles and concerning the criminal investigation and eventual fates of her attackers. I understand this is not meant to be a crime book, but those of us who came to the book based on its description understandably want to hear the full story we came for, and more about secondary characters we learn to appreciate.
  3. The book would benefit from a few minor corrections. At least twice the author drops into present tense mid-paragraph. While I am a fan of changing points of view, they approach a dizzying pace on some pages. Also, each chapter begins with lyrics from well known songs. I understand how tempting that is, because music is so powerful, but I doubt these lyrics were used with permission of the artists and believe a book about respect for others should do better in this regard.

In spite of these flaws, I commend the author for his deft handling of difficult topics and recommend this book to advocates of social justice everywhere.

Buy this book on Amazon.

The excerpt I liked best: (The font of the following excerpt is to indicate that the character is having a flashback.)

“This is bullshit.”

 “Now Sheri, we don’t use that language here.”

 “The hell we don’t. ‘Bullshit’ is a lot less dangerous than the language you’re using. Telling me that it was my fault, that I wanted it, that I probably enjoyed it. You weren’t there. You didn’t have some … jock sitting on your belly holding your nose while he poured liquor down your throat. … You didn’t get raped. And raped and raped and raped. “

 “Now Sheri, talk like that doesn’t help anyone.”

 “It helps me.”

 “No, it doesn’t. You’re fixating again. To recover …”

 “Recovery, hell…The girl was raped. Rape is not an issue. It’s not an obsession or compulsion or neurosis you recover from. It’s not an addiction that you are in recovery from. It’s not something you own, it’s something that owns you. It’s a violation. It’s a big gaping wound. If you’re lucky you survive it and it heals over, but it leaves a scar that is always there. You don’t recover from it. You don’t even get to the place where you say you’re in recovery. You just is. ‘Raped’ is a part of you the rest of your life. But you wouldn’t know about that, you tight-assed little white male f…”

This review is part of a book review tour sponsored by Goddess Fish Promotions.
Read more reviews at:
May 8: Stormy Nights Reviewing and Bloggin’
May 17: Emily Carrington

If you are interested in a review from me: I hope to review more books relating specifically to women’s issues. I am willing to review both non-fiction and fiction. Please do not ask me to review romance novels here, or stories which promote any particular religion. If you would like to be considered for a review contact me at Teddie (dot) Zeitman (at) gmail (dot) com.

Final Note:  I received a free pdf of this book, which would never be enough to entice me to write a better review for anyone.

 

 

I write because it’s cheaper than therapy

It turns out you can buy a whole collection of “cheaper than therapy” t-shirts and most of them make the valid point that doing something physical, or doing something you love, is good for your mental health. I guess the remaining ones (mostly about chocolate, wine and beer) make the point that the occasional indulgence is helpful too.

Most people I know who write, do include “writing as therapy” as one of their reasons. Sometimes it is the main one. I’m no exception. Writing anything is an outlet for me, and it is one of the reasons I blog, and at times keep a journal. In some ways the journal is the best mental health tool, because it is a place where I can explore my own issues without giving any thought to a reader.

However, fiction provides a sort of veil between my raw emotions and a make believe story while it allows me to delve deep into issues that might never surface in something more contained like a journal. Creating a plot has a certain non-linear element of surprise to it that can take me exactly to the places where I least want to go.

When I started my first novel, I promised myself I would do my best to write without fear. Some of that entailed pretending that no one I knew would ever read my book. (I still have to pretend that sometimes.) I got the chance to go to Ireland in the middle of my first novel, and toured the Jameson distillery. I was surprised to learn that every bottle of Jameson contains the two Latin words “Sine Metu.” Without Fear. Well, Mr. Jameson and I seem to have things in common.

I have a theory about writers block. So far, in my case, it is caused by one of two things. The first, and easiest to solve, is that my body needs something and I’m ignoring it. Usually it’s sleep, but sometimes it’s food or water or even a trip to the bathroom. My brain will eventually cease to create until I care for myself.

The other is that I want to go somewhere with the story and I’m censoring myself. Occasionally it’s because I have another direction I want the plot to go, but more often it’s because something deep within wants to take the story into territory that bothers me. I’ve learned that my muse becomes silent until I relent and stride into the dark forest that is scaring me so.

There, I find the demons that have my particular number, and as we stare each other in the eye, I become a little stronger and they become a bit less terrifying. As I write them into the ordinary, I turn them into creatures of the light.

The forest is huge and the creatures are many, so it’s not like this writing thing is a quick road to complete mental wellness, at least for me. But I do recognize that writing forces me to confront my worst of everything, and with the confrontation comes a measure of understanding.

While looking for information for this blog, I found a great post written by “The Angry Therapist” on tips for dealing with life if you can’t afford therapy.  I found the entire article worthwhile, and some of it surprising and wise. I especially liked tip seven: share your story.

A final word about therapy. Several people I’m close to either see or have seen a therapist and each one of them has benefited from it. It is, I’m told, expensive and hard work, but with the right therapist and the right attitude, it can be life altering. So please understand that I don’t mean to claim here that writing, or any other activity, can or should replace therapy when it is needed, or even wanted.

Therapy may be something I’ll try someday. Much as it may help me, I’m confident I have enough garbage in my head that writing for my mental health will always be an option for me. Besides, I have six other fine reasons to write, and there are four of them I haven’t given much thought to lately. One of them I’m kind of secretive about, and it will be the subject of my next post.

(Read more about why I write at at The Number One Reason I Write Books, Nothing cool about modest ambitions, My Eye-opening Second Reason for Writing,  I love to be loved , Remember My Name and What’s the Point? )

Designing your own book cover, part 4

My easiest cover by far came with c3. It was the most difficult of my books to write, so maybe some sort of universal balance was at work. I’d barely begun skimming through the Shutterstock collection when I found not one but two backgrounds I loved. Which to use? I decided I’d send them both on to Jen at Mother Spider and let her decide.

I knew I didn’t want the image of Teddie, my hero, to be a photo. This was a book about out of body experiences, and a clear likeness seemed too stark. I wanted something vague, more like a sketch. She had to be young, dark-haired, and there had to be green involved.  I didn’t expect a lot of results when I combined all these search parameters, and I didn’t get them. However, the one image I got had potential.

This drawing of a young woman possessed the ethereal quality I wanted, but didn’t fit the cuddly softness I felt was part of Teddie’s personality. I played with it a little, and was happier once she had a rounder face and the soft brown eyes I envisioned.

The next challenge was to find a way to show an out of body experience in a single image on a book cover. I thought of showing her face three times, each one more transparent than the last. Also, I wanted a white bird because, well, it was symbolism I liked. I took all that and came up with the two straw man versions below and sent them off to Jen.

Jen did three brilliant things. First, she layered one of my backgrounds over the other to create an orignal and beautiful backdrop. Second, she got rid of the bird. Third, she rearranged Teddie to look back upon herself, conveying the idea of out of body in a way my linear images never could.

When this cover came back, I loved it instantly. She humored me by adding in the crescent moon instead of the dove, and we dinked around trying to match the font of my two-character title to the previous three books, but otherwise not a single revision was made. There was no doubt in my mind this was the cover c3 was meant to have.

Recently, I did some light editing and clean-up on all of my books, mostly to remove the links from all versions as they have become impossible to maintain. I decided if I ever wanted to make a tiny modification to the cover, now was the time.

Was there anything I wanted to change? Anything at all?

Well, I’d never been entirely happy with Teddie’s porcelain doll white skin or her sensuous lips. I thought a faint pink blush would make her look more human, and thinner lips more age-appropriate. I tried a make-over and was pleased with the results.

The new Teddie, and her beautiful cover, are shown to the left. It’s a joy when something comes so easily and works out so well.

(For more on this topic see Designing your own book cover, part 1, part 2 and part 3.)

Do strangers make the perfect beta readers?

“A Streetcar Named Desire” made the phrase “I’ve always depended on the kindness of strangers” infamous. While it is hard not to wince when the naive yet tragic Blanche DuBois utters it, I think that part of our discomfort comes from knowing that we all do rely sometimes on the goodwill of those we don’t know. Having spent the whole play or movie learning of the cruel events in Blanche’s life, this truth makes us uncomfortable, whether we find Blanche a likeable character or not.

spirit medium 1Yet there it is. Reach out beyond your normal existence and you expose yourself to the danger that those unknown to you are devoid of compassion, at least for your particular welfare. It makes a person want to stay home and deal with no one but close friends and relatives. At least, one is inclined to stick with citizens of their own “village”, those who share customs, race, religion and nationality. When possible, one even seeks out those with common age and gender too. It’s safer that way, or so we think.

Enter the internet. Those of us who have years of clear memory before it existed still marvel at the way it can and does put perfect strangers in touch with each other. Yes, we’ve added safety rails all over the place. We rank and review each other and turn to moderators and block the obnoxious. But how does it go when we find we need some strangers in our life?

If you write books, you want a few people you’ve never met to read your novels before you take them to the next step. Friends and family have certain understandable shortcomings for this task, as I wrote about on my other blog. It turns out that the internet is full of unknown curious people, some of whom will actually volunteer to read your book. Should you let them?

If it seems like an easy yes, consider how much of ones heart goes into creating a novel. It is personal. Feedback delivered too harshly can stop any endeavor. Consider that you are depending on people, waiting on them before you continue with a task that means the world to you. They may lie to you, stringing you along with promises of feedback coming before they disappear, leaving you to wonder why they bothered with such a charade. Consider that they are strangers, and you are taking a risk with them.

My most recent novel is now in the hands of thirteen people, eight of whom I’ve never met.  I’ve just heard from an older tax accountant in England who admires Margaret Thatcher, and from two young Hindu women engineers who share a passion for enlarging women’s rights in India. The British gentleman and I have played online word games for years and though we disagree about politics he has enjoyed my other books and agreed to beta read this one. My connection with the young women from India stems from one of them winning a copy of my first novel. So they aren’t total strangers, but we’ve never looked each other in the eye either, and I’ve just asked a lot of them.

sungazing2Their feedback? Helpful. Very helpful, actually. These folks spent a lot of time, caught a lot of minor mistakes, and bothered to describe their best ideas for improving my story, and they did it all very kindly. The only rewards I have to give will be a thank you at the end of the book, and a t-shirt.(I do like to give away t-shirts.) I hope that I get to meet each of them someday,and they will be strangers no longer.

It’s  an odd world. We can all choose to stay inside our own cozy homes, hoping never to get caught in a storm. It is true that storms can be dangerous. Or we can go outside every so often anyway, and feel the rain. It may be the best way to find a beta reader for one’s book. It’s the only way to turn strangers into friends.